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Advanced Balisong Manual by Jeff Imada

By Jeff Imada

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B tries to force A's shoulder down but as long as A keeps his mind on The One Point, B cannot do so. It is easy to see how much strength A has. Next A puts his strength into his shoulder and B FIG. 4 throws him down easily. There are any number ot other examples that can be given but briefly the important lesson to learn is that if you keep your center of gravity at The One Point as you train, you can relax. You can set: that to put strength into your head and throw it back or swagger about with your shoulders perked up is unnatural.

At this powt, be sure that your wrist is not straining against Uke's strength. FIG. 9 41 Then when you move your body closer to Uke, . your left arm, pushed by Uke ·s right arm, will assume the position shown in Figures 10 and II. You will find that you cannot accomplish the same result if you try to do it by using the strength of your left arm to force Uke's right arm. By bringing your hips close to Uke you are making use of his pushing power, adding his power to yours. FIG. 10 FIG. 11 42 Nage: Next, with your right hand.

No matter how much B strains to push A back, A can ignore his efTorts and B cannot succeed in pushing A back. On the contrary, A has only to keep on walking forward and the only thing B can do is retreat. FIG. 3 32 Example Two: A takes a half step forward and fully bends his body backward, concentrating his mind on The One Point, withdrawing the strength from his upper body. B tries to force A's shoulder down but as long as A keeps his mind on The One Point, B cannot do so. It is easy to see how much strength A has.

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