By Irene Masing-Delic
The belief of abolishing dying used to be essentially the most influential myth-making strategies expressed in Russian literature from 1900 to 1930, specially within the works of writers who attributed a "life-modeling" functionality to paintings. To them, artwork used to be to create a existence so aesthetically prepared and excellent that immortality will be an inevitable final result. this concept used to be reflected within the considered a few who believed that the political revolution of 1917 may result in a revolution in easy existential evidence: in particular, the idea that communism and the accompanying improve of technological know-how may finally have the capacity to bestow actual immortality and to resurrect the lifeless. in accordance with one variation, for instance, the useless have been to be resurrected through extrapolation from the lines in their exertions left within the fabric global. the writer reveals the seeds of this notable thought within the erosion of conventional faith in late-nineteenth-century Russia. stimulated via the recent energy of medical inquiry, humankind appropriated a number of divine attributes one by one, together with omnipotence and omniscience, yet finally even aiming towards the conclusion of person, actual immortality, and hence desiring to equality with God. Writers as diversified because the "decadent" Fyodor Sologub, the "political" Maxim Gorky, and the "gothic" Nikolai Ognyov created works for making mortals into gods, reworking the uncooked fabrics of present fact into legend. The booklet first outlines the ideological context of the immortalization undertaking, significantly the influence of the philosophers Fyodorov and Solovyov. the rest of the ebook comprises shut readings of texts by means of Sologub, Gorky, Blok, Ognyov, and Zabolotsky. Taken jointly, the works yield the "salvation application" that tells humans easy methods to abolish demise and reside eternally in an everlasting, self-created cosmos―gods of a legend that was once made attainable by means of inventive artists, inventive scientists, and encouraged workers.
Read or Download Abolishing Death: A Salvation Myth of Russian Twentieth-Century Literature PDF
Similar criticism & theory books
This e-book makes many unique contributions to the learn of Poe and his instances. As I learn via it, i started to appreciate what Poe should have felt as he struggled to make it as a certified author. The e-book has whatever for everybody: capitalism, slavery, determined acts of deception, and a desirable hyperlink among Poe and Charles Babbage, who invented the prototype of the trendy computing device.
Mrs Nowottny's leader objective during this 'valuable publication that may function an invaluable advent to sensible feedback' is to inquire what it truly is that makes the language of poetry poetic. The e-book grows out of the prime traits at the present time in rules approximately language an
Analyzes modern memoirs of terminal ailment from a psychoanalytic viewpoint.
This can be a biographical account of Yeats' existence detailing his early family members lifestyles, his schooldays, his London years, his upward thrust to literary popularity, his relationships and marriage, his Oxford interval and his occupation in public existence.
- Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (The A. W. Mellon Lectures in the Fine Arts)
- Fracture of Metals: An Advanced Treatise
- Fiction Agonistes: In Defense of Literature
- Brontë Facts and Brontë Problems
- Harsh and Lovely Land: The Major Canadian Poets and the Making of a Canadian Tradition
Additional info for Abolishing Death: A Salvation Myth of Russian Twentieth-Century Literature
Fifteen Jugglers, Five Believers: Literary Politics and the Poetics of American Social Movements, by T. V. Reed 23. Romancing the Past: The Rise of Vernacular Prose Historiography in Thirteenth-Century France, by Gabrielle M. Spiegel 24. Dearest Beloved: The Hawthornes and the Making of the Middle-Class Family, by T. Walter Herbert Page iii The Imaginary Puritan Literature, Intellectual Labor, and the Origins of Personal Life Nancy Armstrong Leonard Tennenhouse Page iv University of California Press Berkeley and Los Angeles, California University of California Press, Ltd.
In presuming to "speak" on behalf of the individual, they not only locate the source of writing in themselves, they also imply that writing came from a much larger speech community. In writing his or her "mind," in other words, the author always speaks on behalf of such a community. He or she "represents" the members of that community and acquires authority by his or her exemplary status in this respect as much as they do. 27 Some common ground among individuals is therefore essential to the complex ideological package we are elaborating, so essential in fact that such ground has to exist logically prior to authors and revolutions, as the natural milieu that could have given rise to both.
To privilege writing among the various changes that are said to have inaugurated our age is therefore to question historiography at several points at once: on the material terrain of social history, where labor and money make things happen; on the epic battlefields of political history, where armies and parliaments determine the course of the events; and on the loftier plateaus of intellectual history, where one set of ruling ideas inevitably gives way to another. We will argue that late-seventeenthcentury England saw certain changes in intellectual and artistic practice that were both startling and profound.